If you’ve opted for the Blackmagic Pocket 4K camera for your documentary work, there are some essential accessories that go hand in hand with this choice. Among these, perhaps the most crucial is the lens. Selecting the right lens is paramount, and fortunately, you’ve come to the right place. In this article, we’ll explore a selection of top-notch lenses that complement your Blackmagic Pocket 4K camera perfectly.
We’ve curated a list of the top five lens options, ensuring you have a range of choices to suit your needs. Each of these lenses has been tried and tested, guaranteeing excellent performance.
Top pick
Sigma 56mm F1.4 DC DN
Compact, lightweight, outstanding image quality. Smooth, quiet autofocus for video. Face and eye AF ensure continuous focus on moving subjects.
Editor’s choice
Panasonic H-NS043
LUMIX Power O.I.S., Nano Surface Coating, External Aperture Ring, Metal Lens Hood, Micro Four Thirds Mount, Non-Zoomable Lens.
Best value
Olympus V312010BU000
Durable, weatherproof macro lens for harsh conditions. 7.4-inch minimum working distance, 60mm focal length, 1x magnification, 13 elements for detailed reproduction.
Best Lens for Blackmagic Pocket Reviews
Additionally, if you stick with us until the end, you’ll find a comprehensive buying guide and other informative content to enhance your understanding of lens selection for your Blackmagic Pocket Cinema Camera.
With no further delay, let’s delve into the world of the finest lenses for the Blackmagic Pocket 4K camera.
1. Sigma 56mm F1.4 DC DN
The Sigma 56mm F1.4 DC DN Contemporary stands out for its compact size, lightweight design, and a wide aperture. Compatible with various mirrorless cameras and offering sensor coverage up to APS-C, it’s not confined to portraiture, although its angle of view is ideal for such shots. A top-notch performer, it excels in balancing affordability, performance, and size, earning the well-deserved recognition as our Editors’ Choice—particularly recommended for portrait enthusiasts and as a valuable addition to any photography kit.
Sporting a focal length of 56mm (equivalent to 112mm in full-frame parlance), it excels at portrait photography and facilitates the creation of a lush, velvety background blur affectionately known as “bokeh.” This attribute makes it a compelling option for capturing interviews, close-up shots, or preserving the intricate nuances in your documentary endeavors.
The lens’s construction comprises 10 elements arranged in 6 groups, incorporating two Special Low Dispersion (SLD) elements, guaranteeing sharpness and minimizing chromatic aberrations. The wide F1.4 aperture not only facilitates low-light shooting but also affords creative control over depth of field.
A remarkable feature of this lens is its silent and swift autofocus system, a crucial asset for securing seamless and precise shots. Furthermore, its compact and lightweight design enhances its suitability for on-the-go shooting.
The Sigma 56mm F1.4 DC DN Contemporary lens delivers sharp images with a pleasing shallow depth of field, making it a valuable and reliable inclusion in your camera kit.
2. Panasonic H-NS043
Panasonic, a globally renowned brand, has crafted an exceptional lens designed to seamlessly complement your Blackmagic Pocket Cinema Camera. The fixed telephoto lens boasts a 42.5mm focal length, providing a versatile shooting experience.
With a wide aperture of f/1.8, this lens allows ample light into the camera sensor, facilitating a shallow depth of field. The nine-blade diaphragm enhances the utilization of the bokeh effect for stunning visual effects.
Powered by a Stepping AF motor, the focus is both accurate and rapid, making it ideal for various shooting scenarios. The internal focus, synchronized with body movements, ensures effective focus tracking during video recording, especially advantageous for dynamic shots. The lens achieves a closest focusing distance of 19.6 inches.
Panasonic incorporates advanced elements into this lens, including two aspherical elements to address aberrations, one ED element for enhanced color clarity, and one UHR element (Ultra-High Refractive) to optimize sharpness.
A standout feature is the inclusion of the Power O.I.S (Optical Image Stabilizer), a Panasonic innovation that significantly aids in stabilizing images, particularly beneficial for recording in situations with hand tremors.
Measuring at 3.03 x 2.91 inches and weighing approximately 15 ounces, this lens combines portability with powerful features, making it an excellent choice for diverse photographic and videographic needs.
3. OLYMPUS M.Zuiko Digital ED 60mm F2.8
The Olympus M.ZUIKO ED 60mm f/2.8 MACRO stands out as a top choice for Micro Four Thirds cameras, offering refined handling and superb image quality. With an effective 2.0x maximum magnification due to the Micro Four Thirds crop factor, this macro lens delivers excellent results, almost twice life size. Despite its compact size, it emulates the experience of using a 120mm lens on a full-frame camera.
Crafted with precision, the lens features weather-seals, a stepping motor autofocus system, and a unique physical focus distance scale calibrated in magnification ratios. Its autofocus range limiter adds versatility by allowing focus lockouts on either end. The lens’s internal focusing keeps a consistent macro working distance, and the MSC autofocus system ensures fast and silent operation, making it suitable for both photo and video applications.
Quality optics include ED, E-HR, and ZERO coating elements, minimizing ghosting and flare. The lens, housed in a lightweight and durable casing, performs admirably in controlled lab tests, with excellent center-sharpness at f/2.8. However, sharpness diminishes at narrow apertures like f/22. Automatic corrections address chromatic aberration and distortion effectively.
Elegantly designed and a delight in usability, this stands out as our preferred macro lens for Micro Four Thirds cameras. With its sophisticated handling and impressive image quality, it effectively captures subjects at nearly twice life size when considering the Micro Four Thirds crop factor. The natural and comfortable working distance further enhances its appeal, even with its slightly shorter focal length compared to the average.
4. Sigma 18-35mm F1.8
Sigma is a renowned brand known for delivering exceptional lenses that are compatible with various camera systems. In the case of this lens, it offers a versatile zoom capability, spanning a focal length range from 18mm to 35mm.
What sets this lens apart is its impressive aperture of f/1.8, a feature that excels at capturing ample light and contributes to achieving a captivating bokeh effect. The lens’s aperture diaphragm boasts nine blades, and when combined with its wide aperture range, it produces a striking bokeh effect, particularly beneficial for video applications.
You may have already heard of the Hyper Sonic Motor AF System, a stellar autofocus technology widely acclaimed for its precision and speed. Unlike manual focus lenses, this lens offers swift and pinpoint accuracy during focusing operations. The lens’s minimum focusing distance is a mere 11.02 inches.
Within this lens, you’ll discover five Special Low Dispersion (SLD) elements and four aspherical elements. While aspherical elements are known for their ability to correct distortions, the SLD elements contribute to exceptional color accuracy and clarity.
Despite its impressive capabilities, this lens remains conveniently portable, weighing in at just 1.79 pounds and measuring 4.76 x 3.07 inches overall. Its compact design ensures ease of use and transportability, making it an excellent choice for photographers and videographers seeking versatility and exceptional image quality.
5. Tokina 11-16mm f/2.8 AT-X116 Pro DX II
The Pocket 4K camera, being primarily a cinema camera, doesn’t provide continuous autofocus functionality. While this is expected in the cinema world, it poses challenges for videographers who rely on gimbals. Even the slightest touch to the camera or lens can disrupt the balance of the gimbal.
However, there’s a solution for gimbal users who seek continuous autofocus with the Pocket 6K – the Tokina 11-16mm f/2.8 lens.
This lens, originally introduced in 2010, remains the only ultra-wide-angle zoom lens with an impressive f/2.8 aperture. Tokina has released updated versions of this lens over the years, with the third iteration being the best yet.
The Tokina 11-16mm f/2.8 lens offers an ultra-wide field of view, resulting in an exceptionally short minimum focus distance. This feature is a game-changer for gimbal users, as it allows for seamless movement without worrying about losing focus.
In summary, if you’re in search of an ultra-wide-angle lens for your Pocket 4K camera that effortlessly maintains autofocus, the Tokina 11-16mm f/2.8 is the perfect choice. Gimbal enthusiasts will particularly appreciate its performance, ensuring smooth and focused shots without the hassle.
Final Verdict
In conclusion, we’ve reached the end of this article, and it’s evident that the Blackmagic Pocket Cinema Camera is a stellar choice for video recording, widely embraced by professionals across various videography domains. But the question remains: what constitutes the best lens for the Blackmagic Pocket 4K?
The answer is not singular; in fact, there are several excellent options. As showcased in this article, I’ve presented five compelling choices, yet it’s essential to note that these are not the sole lenses that complement this camera flawlessly. Each of the lenses highlighted here elevates the camera’s performance, enhancing it beyond your expectations.
I trust that this article has equipped you with valuable insights to make an informed decision and possibly acquire the best lens for your Blackmagic Pocket 4K camera. With the right lens, your camera can unlock its full potential, ensuring that your videography endeavors are met with excellence and precision.
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